Design Foundations
ART 8/8A 001- Intro To Visual Thinking (4 units)
A first course in the language, processes, and media of visual art. Coursework will be organized around weekly lectures and studio problems that will introduce students to the nature of art making and visual thinking.
ENV DES 1 – Introduction to Environmental Design (3 units)
This course will teach anyone how to start to be a designer, not just of drawings and objects, but also buildings, landscapes, and urban spaces. And not just in isolation, but in the complex web of ecological and man-made systems which makes up our shifting environment. You will take from the course first-hand experience of drawing, measuring, and design — which form the basis of the professions of architecture, landscape architecture, and urban planning— and which culminate in a final design project in the course. The course is open to all undergraduate students.
DES INV 15 – Design Methodology (3 units)
This introductory course aims to expose you to the mindset, skillset and toolset associated with design. It does so through guided applications to framing and solving problems in design, business and engineering. Specifically, you will learn approaches to noticing and observing, framing and reframing, imagining and designing, and experimenting and testing as well as for critique and reflection. You will also have a chance to apply those approaches in various sectors.
THEATER 60 – Intro to Technical Theater & Production (4 units)
A practical introduction to the terminology, theories, approaches, and techniques of technical theater and production. The course will cover theatrical terminology, stage equipment and architecture, production personnel and processes, and design departments, including scenery, properties, costumes, lighting, sound, and video. The course has a laboratory component. Based on student preference and availability, assignments for work on departmental productions will be made to one of two types of lab: department shops on a regular weekly schedule throughout the semester, or as run crew for a production fulfilling all required hours including evening and weekend calls.
Design Skills
ARCH 11A – Introduction to Visual Representation and Drawing (4 units)
Introductory studio course: theories of representation and the use of several visual means, including freehand drawing and digital media, to analyze and convey ideas regarding the environment. Topics include contour, scale, perspective, color, tone, texture, and design.
ARCH 150 – Introduction to Structures (4 units)
Study of forces, materials, and structural significance in the design of buildings. Emphasis on understanding the structural behavior of real building systems.
DES INV 21 – Visual Communication & Sketching (3 units)
Good ideas alone are not the key to being a great designer or innovator. Rather, it is the strong process and communication skills that will make you stand out as a design practitioner and leader. In today’s landscape of product design and innovation, great visual communicators must know how to 1) effectively and confidently sketch by hand, 2) understand and utilize the basics of visual design, and 3) tell captivating and compelling stories. This course, offered in a project-based learning format, will give participants practice and confidence in their ability to communicate visually.
ENGIN 26 – 3D Modeling for Design (2 units)
Three-dimensional modeling for engineering design. This course will emphasize the use of CAD on computer workstations as a major graphical analysis and design tool. Students develop design skills, and practice applying these skills. A group design project is required. Hands-on creativity, teamwork, and effective communication are emphasized.
ENGIN 29 – Manufacturing & Design Communication (4 units)
An introduction to manufacturing process technologies and the ways in which dimensional requirements for manufactured objects are precisely communicated, especially through graphical means. Fundamentals of cutting, casting, molding, additive manufacturing, and joining processes are introduced. Geometric dimensioning and tolerancing (GD&T), tolerance analysis for fabrication, concepts of process variability, and metrology techniques are introduced and practiced. 3-D visualization skills for engineering design are developed via sketching and presentation of 3-D geometries with 2-D engineering drawings. Computer-aided design software is used. Teamwork and effective communication are emphasized through lab activities and a design project.
THEATER 173 – Scenography: Scenic Design for Performance (3 units)
This introductory course teaches some fundamentals of scenic design. Design for live performance will be approached as an integration of all the performative tools – text, visuals, sound, space, kinetics, etc – with particular focus in this class on the overall scenographic environment. Through personal development and group explorations students will be given basic conceptual and art-making tools allowing them to evolve, communicate and realize scenic and environmental solutions. Previous art training is helpful but not essential. The student must provide most art supplies. The final evaluation will include a presentation in lieu of an exam.
THEATER 174 – Scenography: Costume Design for Performance (3 units)
This studio class explores some fundamental approaches and techniques for designing costume. Performance design will be approached as a product of all the performative tools and contexts – text, visuals, sound, space, kinetics, etc – with particular focus for this class on the scenographic role of the performer. Through personal expression and collaborative investigation students will be given some basic tools allowing them to conceptualize, communicate and realize costumes. Previous art training is helpful but not essential. The student must provide most art supplies. The final evaluation will include a presentation in lieu of an exam.
THEATER 175A – Scenography: Lighting Design for Performance (4 units)
THEATER 175A will introduce you to the tools, terms, and techniques of stage lighting through lectures and practical application. Working as part of a production crew (an additional 45 hours outside of class) will demonstrate the practice of stage lighting. Class lectures and workshops augment the production experience. They will cover descriptions, explanations, and demonstrations of lighting concepts and equipment, and the initial elements of design.
UGBA 190D – Innovation and Design Thinking in Business (2 units)
The goal of this course is to equip students with innovation skills and practices. This is a learn-by-doing lab. Students learn research methods, ethnography, analysis and synthesis, reflective thinking, scenario creation, ideation processes, rapid prototyping cycles and designing experiments, iterative design and how to tell the story of “Never Before Seen” ideas. Class time is spent using hands-on innovation and human-centered design practices. Teams present work for critique and iterative development. The course features short lectures, guest talks, campus-based fieldwork, site visits, research and readings. Projects will be launched in the sessions and each team will be coached and mentored.
Advanced Design
COMPSCI 160 – User Interface Design & Development (4 units)
The design, implementation, and evaluation of user interfaces. User-centered design and task analysis. Conceptual models and interface metaphors. Usability inspection and evaluation methods. Analysis of user study data. Input methods (keyboard, pointing, touch, tangible) and input models. Visual design principles. Interface prototyping and implementation methodologies and tools. Students will develop a user interface for a specific task and target user group in teams.
COMPSCI 294-137 – Immersive Computing and Virtual Reality (3 units)
ENGIN 183C 004 – Challenge Lab: Bioinspired Innovation (4 units)
The Bio-inspired Innovation Challenge Lab, is a dynamic 16-week course that unlocks the secrets of nature to transform your entrepreneurial vision. By integrating Berkeley’s Method of Entrepreneurship with biological discoveries, you’ll learn to harness nature’s problem-solving strategies to create groundbreaking, sustainable businesses that drive success while positively impacting the planet. In this immersive course, you’ll collaborate in diverse teams of students from various disciplines to create and present original bio-inspired design projects. This collaborative environment offers a unique opportunity to learn about team dynamics and develop the skills necessary to build a successful team. Through hands-on prototyping and interdisciplinary exchange among engineering, biology, medicine, art, architecture, and business, you’ll develop a portfolio-ready project by the end of the course. No prior biology experience is required—just a passion for exploring alternative innovation methods and understanding how biology can shape future inventions. Lectures and hands-on workshops will guide you through the bio-inspired design process, from scientific breakthroughs to entrepreneurial start-ups, using compelling case studies. Explore how nature has inspired innovations like gecko-inspired adhesives, robots that run, fly, and swim, artificial muscles, computer animation, medical devices, and prosthetics. These examples highlight the critical roles of health, environment, and safety in bioinspired design, demonstrating how these innovations address real-world challenges while fostering sustainable solutions. This course is your chance to lead societal change, develop creativity and critical thinking skills essential for real-world practice, and make a meaningful impact. It’s about fostering entrepreneurial growth, creating a difference, and driving innovation that transforms both businesses and the planet.
INFO 213 – Introduction to User Experience Design (4 units)
This course will provide an introduction to the field of Human-Computer Interaction (HCI). Students will learn to apply design thinking to User Experience (UX) design, prototyping, & evaluation. The course will also cover special topic areas within HCI.
INFO C262/NWMEDIA C262 – Theory and Practice of Tangible User Interfaces (4 units)
This course explores the theory and practice of Tangible User Interfaces, a new approach to Human Computer Interaction that focuses on the physical interaction with computational media. The topics covered in the course include theoretical framework, design examples, enabling technologies, and evaluation of Tangible User Interfaces. Students will design and develop experimental Tangible User Interfaces using physical computing prototyping tools and write a final project report.
MECENG C178/BIOENG C137 – Designing for the Human Body (4 units)
The course provides project-based learning experience in understanding product design, with a focus on the human body as a mechanical machine. Students will learn the design of external devices used to aid or protect the body. Topics will include forces acting on internal materials (e.g., muscles and total replacement devices), forces acting on external materials (e.g., prothetics and crash pads), design/analysis of devices aimed to improve or fix the human body, muscle adaptation, and soft tissue injury. Weekly laboratory projects will incorporate EMG sensing, force plate analysis, and interpretation of data collection (e.g., MATLAB analysis) to integrate course material to better understand contemporary design/analysis/problems.
*See the Successfully Petitioned Course List for more Fall 2025 course options